I don’t give a damn about the literature it is chock-a-block with various degrees of authoritative bullshit, and the only thing I need is Inbau, Reid and Buckley’s nine-step interrogation model. I don’t put on this smile because of the literature, though. And as a result the candidate will in turn – according to the aforementioned literature – provide more sober, objective information, as he has been made to feel that any pretence would be seen through, any exaggeration exposed and ploys punished. Indeed, it is this lack of emotional commitment that causes the candidate to trust his interviewer’s integrity. But the courteous, semi-warm smile that, according to the literature, signals the interviewer’s professionalism, objectivity and analytical approach. Not the open, unconditional smile that invites a complete stranger to come in from the cold, not the frivolous one. This novel can't be read in one sitting, it's like splashing in a bucket of cold water: pleasant in moderation, unhealthy when there is a sea of buckets. And so far, we get to enjoy our deluded heroes in all their malevolent glory. (Or something like that, I'm sure neuroscientists will settle at some point on some or other theory). All just in case your inner reptilian needs that info for further perusal. So you watch, transfixed, the disturbing scenes before you. It affects you just like a car crash, which you don't want to look at but are forced to by that ancient part of your brain, the reptilian one, that would have you pay attention to the stuff of dangers in order to protect you in case something similar ever happens to you. They are definitely at least halfway psychopathic. Oh, my! The sheer beauty of this novel lies in its perfectly dysfuntional characters. It affects you just like a car crash, which you don't want to look at but are forced to by that ancient part of your brain, the reptilian one, that would have you pay attention to the stuff of dangers in order to protect you in case something similar ever happens to yo Q: ‘Submission,’ I answered. (c) Oh, my! The sheer beauty of this novel lies in its perfectly dysfuntional characters. And Clas Greve may turn out to be the worst thing that’s ever happened to Roger Brown.more But when he breaks into Greve’s apartment, he finds more than just the painting. At an art opening one night he meets Clas Greve, who is not only the perfect candidate for a major CEO job, but also, perhaps, the answer to his financial woes: Greve just so happens to mention that he owns a priceless Peter Paul Rubens painting that’s been lost since World War II-and Roger Brown just so happens to dabble in art theft.
But one career simply can’t support his luxurious lifestyle and his wife’s fledgling art gallery. At an art opening one night he meets Clas Greve, who is not only the perfect candidate for a major CEO job, but also, perhaps, the answer to his financial woes: Greve just so happens to mention that he Roger Brown is a corporate headhunter, and he’s a master of his profession. View the HBO website for "The Recruiter": hbo.Roger Brown is a corporate headhunter, and he’s a master of his profession. Nancy Abraham, senior producer Sheila Nevins, executive producer Without judgment, the film touches on many aspects of the current war policy and brings to light the real crisis of enrollment in a volunteer Army.Įdet Belzberg, director, producer Alan Oxman, producer Adam Bolt, co-producer Chad Beck, Adam Bolt, editors Edet Belzberg, Liz Dory, Rossana Rizzo, cinematography Derrick Hodge, composer.
We see the recruiter’s efforts to prepare them for the Army and go with them through basic training.
Belzberg also follows four teenage recruits from diverse backgrounds. Stepping beyond ideology and politics, the filmmakers follow the recruiter’s day-to-day life, and his intense efforts to recruit at a time when the Army is fighting two wars. Shot in verité style, this feature-length documentary by director Edet Belzberg revolves around one of the Army’s most successful recruiters and his efforts to enlist volunteers in his hometown of Houma, Louisiana. A documentary about the push to recruit new soldiers into the U.S.
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